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Master Race And Other Stories (The EC Comics Library)
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Review
“Master Race is a good read, but it’s also a coffee table art book, a love letter to EC’s commitment to art and weirdness.†- Paste
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About the Author
Bernard (B.) Krigstein (1919–1990) was trained as a classical painter, but early on he recognized the artistic potential of the comics medium. He was inducted into the Jack Kirby Hall of Fame in 1992 and the Will Eisner Comic Book Hall of Fame in 2003.Albert B. Feldstein (1925-2014) was an American writer, editor, and artist, best known for his work at EC Comics (particularly in the science fiction genre) and, from 1956 to 1985, as the editor of the satirical magazine Mad.Ray Bradbury was born in Waukegan, Illinois, in 1920. Growing up during the Great Depression, Bradbury began writing at the age of 11. Unable to join the military in World War II due to his poor eyesight, he began publishing science fiction stories. In 1947 he married Marguerite McClure and they had four daughters. His career as a writer included such notable works as Fahrenheit 451, The Martian Chronicles, and I Sing The Body Electric. Primarily known for his successes in science fiction, Bradbury also worked on various horror and mystery stories, as well as screenplays and television scripts. During his lifetime he received numerous awards, including a Pulitzer in 2007. Bradbury passed away in 2012.
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Product details
Series: The EC Comics Library (Book 21)
Hardcover: 232 pages
Publisher: Fantagraphics Books; 1 edition (January 30, 2018)
Language: English
ISBN-10: 1683960947
ISBN-13: 978-1683960942
Product Dimensions:
7.1 x 1 x 10 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#183,867 in Books (See Top 100 in Books)
Bernard Krigstein was one of the best comic artists of his generation, and the word "artist" really applies in this case, for he was always in search of his own language and style, looking for a way to innovate. In many ocassions he felt his creative impulses by the fixed quantity of pages per story, and the pre-conceived layout (at EC, the artists were given the pages with all the text and dialogues already printed). This didn't stop Krigstein from trying to find a way to persue his ambitions, and he re-arranged layouts, and even managed to get a couple of extra pages for "Master Race", one of his masterpieces. This situations caused friction with EC editors, who considered him a gifted artist, but a hard one to work with sometimes. After the Wertham affair and the decline of EC, Krigstein worked for other publishers, but he eventually grew so frustrated that he abandoned the world of comics forever.This book collects 30+ stories from Krigstein's tenure with EC comics. Fantagraphic's EC Library series feature black and white reproductions, something which doesn't always work fine, because the artists crafted their pages with colour in mind; thus, some pages lack the neccesary level of contrast when printed in black and white. In the case of Krigstein, some stories look as amazing as they did in colour, due to his approach to different textures and other experiments (he was very keen on Zip-a-tone).I wish we could have a complete Krisgstein collection one of these days, but we should thank that there are still people like Fantagraphics, who do their best to make these pieces of art available to the public again.Summing up, some of the best comic pages ever created are found in this collection. Not a bad deal at all.(For more of his work, follow the suggestions made by Diamonddulius in his review, those books are truly splendid).
Not normally listed among the more famous EC artists, this compilation establishes Krigstein among the most brilliant members of that stellar staff. Surprisingly, he drew more than FORTY stories for EC, some of which rank alongside the finest work produced by any of the other more famous geniuses like Wood, Williamson, Crandall, Severin, Craig, etc, etc.
This series by Fantagraphics is so cool; each EC artist is being showcased in B/W. The stories are literate, and Krigstein's art is masterful. I have all the volumes in the series.
This Fantagraphics/EC series never disappoints, but this collection is really something special. 32 of the 44 stories Krigstein did for EC are collected here, in stark b&w. Krigstein biographer Greg Sadowski writes the opening analysis of the stories, while SC Ringgenberg pens the closing bio of the artist. Also included is a rare sci-fi 3-D story, specially reconstructed for this volume! As usual, the editors of this series have all the bases covered. Krigstein's story is unique and interesting, an intelligent artist who saw the potential in cartooning before most, yet was thwarted at almost every attempt he made to use the artform. The closest he ever got was the work he did at EC. Students of cartooning in particular will find much of value in this book, as some of the things Krigstein was attempting in these pages still seems fresh and original. A great companion to the two books that the aforementioned Sadowski edited for Fantagraphics: B. Krigstein, Vol. 1, 1919-1955 ,Messages in a Bottle: Comic Book Stories by B. Krigstein ... highest recommendation!!
If you've ever seen or heard Krigstein's name before, it's very likely that it was in association with the title story of this collection, and not without good reason. "Master Race" is a superb example of what the comic form can do, and as such, is still oftentimes cited as proof of the legitimacy of the once (and still occasionally) shunned artform, even over sixty years later. However, "Master Race" was not the only story Krigstein produced for EC, nor was it the only one of artistic merit. Here you'll find well over two dozen stories beautifully reprinted in black and white, showcasing the unique talent of a lesser-known artist who came to EC a little later in the game.I think reading these stories you can tell, as with the rest of EC's stable of artists, that great efforts were made to give Krigstein scripts that suited his talents specifically. It's no coincidence that he tended to illustrate stories that were perhaps more mature than your standard EC fare, both in plot and tone. The more complicated the script the more sophisticated his technique seems to become, especially his use of zip-a-tone, which he mastered at a level far beyond what most others ever managed.His best efforts tend to be the science fiction stories, as well as the suspense or "psychological horror" stories written by scripters such as Johnny Craig and Carl Wessler. Sadly, the artwork begins to suffer in the later parts of the book, becoming less focused, lazy, clearly far below what he was capable of. The reasons for this are detailed in the book, but I'll briefly remind you that by 54-55 the funny book industry was in a state of upheaval to say the least. The decline in quality of the later stories is a bummer, but there's still plenty of great material here. Seriously, these are some of the best comic stories I've ever read!All in all, I'd have to say that this is my favorite book of the EC library so far. People have tried, but nobody - and I mean nobody - draws comics like Bernie Krigstein.
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